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Manufacturer Description

Kieth, Lance, Hunk, Pidge and Princess Allura have sucessfully awakened the famous robot guardian, Voltron. Soon after many battles, they have pushed back the forces of evil King Zarkon, freeing the Princess's property, planet Arus, as well as their sister planet, Pollux. But they couldn't preserve the princess of Pollux, Romelle, from the clutches of Prince Lotor. The Voltron pressure is committed to defense, and are unable to start a total scale assault on Planet Doom to rescue Romelle from Lotor's Pit of Skulls. Then, a batch of slaves arrives on planet Doom, and with them Romelle's last hope. It really is a previous member of the Voltron pressure, now a committed revolutionary bent on toppling King Zarkon: Sven!

Like Robotech, Voltron is a cut-and-paste combination of unrelated series designed for American Tv. Portion of the early wave of "Japanimation" that aided to create an viewers for anime in the U.S., Voltron also contributed to the fad for reworking robot toys. The episodes inSelection Three, the "Green Lion" set, initially aired in October and November of 1984. 4 younger stalwarts from the Galaxy Alliance, Keith, Lance, Hunk, and Pidge, pilot the lion-mecha that website link to sort the giant robot Voltron Princess Allura of the planet Arus took more than the fifth lion after Sven was wounded in fight. Soon after becoming lacking in motion for some time, Sven (who talks like Wally Walrus) reappears in episode 41, but stays on planet Pollux with Princess Romelle as an ally of the Voltron Power. In every episode, Lotor, the son of King Zarkon, and the evil witch Haggar concoct a new scheme to eradicate Voltron and seize manage of Arus--only to be defeated by Voltron in between the last industrial and the closing concept song. Comprised of re-edited footage from Hyakujuo Go-Lion ("Hundred-Beast King Go-Lion") and Kikou Kantai Dairugger XV ("Armored Fleet Dairugger XV"), the episodes have obviously been assembled like mosaics, with considerable dialogue covering the gaps in the visuals. Like Robotech, Voltron has a particular area in the hearts of older people who watched it as youngsters. For youthful otaku, it really is an illustration of how far Japanese animation has produced in the intervening many years--and how considerably far more advanced its viewers has become. (Rated seven and older: violence) --Charles Solomon